
Tony Trischka on Banjo, Pete Seeger, Steve Martin, and Springsteen
Tony Trischka’s list of collaborators includes Pete Seeger, Bela Fleck, Earl Scruggs, and Steve Martin and the Steep Canyon Rangers, so it’s no surprise that he has been called “perhaps the most influential banjo player in the roots music world.”
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Counterpoint in Music with Beth Denisch
Beth Denisch’s new book presents practical ways to use counterpoint in today’s musical industry, whether you’re writing rock songs, film scores, EDM tracks, or any type of music.

Jonathan Feist on Wrapping His Head around Contemporary Music Notation
Jonathan Feist, editor in chief of Berklee Press, talks about writing his third book “Berklee Contemporary Music Notation.”

Gary Burton on Retirement, Stan Getz, Chick Corea, and the Animosity of Miles Davis
Jazz legend Gary Burton discusses his life in music, just as he is about to walk away from it. His farewell tour—featuring Makoto Ozone—begins in March.

Chord Substitution and Reharmonization
In order to use chord substitution as a reharmonization technique, you must understand the division of the seven diatonic chords.

Piano Voicing Techniques
Understanding the basics of piano voicings and the use of common tensions is a first step in creating effective orchestrations of reharmonized melodies.

Harmonic Progressions for Songwriters
You don’t have to have a degree in music theory to write harmonic progressions that underscore your lyric well.

Modal Harmony in Jazz Composition
The modes have provided fertile musical soil for jazz composers since the late 1950s. In effect, modes can be viewed as displacements of the major scale.

Simplifying Jazz Harmonic Theory with Suzanna Sifter
Suzanna Sifter is author of Berklee Jazz Keyboard Harmony: Using Upper Structure Triads, an extraordinary book that helps pianists organize and understand tensions

Voice Leading for Guitar
In jazz, you will encounter only seven kinds of diatonic seventh chords (from major, melodic minor, or harmonic minor keys). This article will show you how to voice lead smoothly and easily between these chords and their variations.