First there was TIDAL, and now there’s Amazon Music HD, another mainstream high-fidelity streaming service. Berklee Online instructors Jonathan Wyner, Erin Barra, Prince Charles Alexander, and Sean Slade share their thoughts on music streaming quality and whether it matters to music industry professionals like themselves, the average listener, and the audiophile.

Berklee Online music production instructor Erik Hawkins teamed up with his students to test out the remote collaboration program, Splice Sounds.

When Dr. Joe Bennett is not acting in his position as a vice president for Berklee College of Music, he investigates copyright infringement in the music industry as a forensic musicologist.

Music Business Finance covers everything from understanding financial calculations to interest rates to crowdfunding.

In a series of video tutorials, Berklee Online instructor E. Michael Harrington explains the specifics of copyright law as it applies to music.

I first learned about one of the more clever touring strategies when I booked a date on the debut US tour of the now multiplatinum band the Police.

In the past two years, Bonny Baez has transitioned from his full-time career as an animator, and now splits his time between freelance animation work and a focus on music.

Mark Walker, is a Grammy award-winning drummer, a professor in the Percussion department at Berklee College of Music, and an instructor of Afro-Cuban Drums at Berklee Online. And after this weekend, he’ll also be a Berklee Online graduate.

In this series, Berklee Online instructor John Escobar discusses the key points in understanding ambisonics, specifically what ambisonics are, how to capture them, and what to do with them in post-production.